Jaron Schneider

Editor-in-Chief

Jaron Schneider is an award-winning commercial filmmaker, an internationally published consumer technology journalist, and long-time digital imaging expert across the fields of both video production and traditional photography. He is also the host of the PetaPixel Podcast. 

The former A/V Editor of Digital Trends, Features Editor of Imaging Resource, and Editor in Chief of Resource Magazine, Schneider's production work – which includes clients such as Verizon, Redwood Credit Union, Grammy-Award-wining band Train, Food Network's Guy Fieri, UC San Diego Scripps Institute, the San Francisco WETA ferry system, and luxury Swiss watchmakers Cartier and Maurice Lacroix – has been featured across multiple networks, including CNN, ABC Network News, Gizmodo, Huffington Post, Business Insider, The Daily Mail, Telegraph UK, and Jalopnik.

Articles by Jaron Schneider

A red, interconnected infinity symbol in the center, representing creative collaboration, is surrounded by various black arrows and lines pointing towards it on a white background. The design is dynamic and suggests focus and convergence.

Adobe’s Swift Support of New Camera RAW Profiles Has Spoiled Me

Adobe has had a rough go of it lately and as a result, more photographers have been asking what legitimate options exist that can replace Photoshop and Lightroom. I've been testing a few and while they're all capable performance-wise, I'm left feeling spoiled by Adobe's absurdly fast support for new camera RAW profiles.

A lens diagram is shown with two sections labeled "Wide INF" and "Tele INF." Each section contains multiple lens elements arranged in groups, indicated by G1(+), G2(-), etc. The light path is delineated, ending at "IMG." Additional labels include Fa, La, P, S, and CG.

Tamron Appears To Be Developing a 50-200mm f/2.8 Lens

According to patent documents filed in Japan, Tamron is working on a fast lens with a huge zoom range. The proposed 50-200mm f/2.8 would be the first of its kind, offering a massive range with no cost to light gathering capability pro-level 70-200mm lenses provide.

A vibrant fireworks display in a city skyline. On the left, multicolored fireworks illuminate a bridge and buildings with emphasis on red trails. On the right, blue and white fireworks burst against the night sky, reflected on a wet surface below.

How to Photograph Fireworks Like a Pro

With the Fourth of July quickly approaching in the United States, photographers are getting ready to capture the magic of fireworks shows. If you want to nail some spectacular shots, you'll want to pay attention to a few key tips.

A silver and black Pentax 17 camera with a retro design is displayed. It features a prominent viewfinder, various control dials, and a lens marked "HD Pentax-DA 25mm f/3.5." The camera has a textured grip on the front for comfortable handling.

No Surprise: Pentax 17 Pre-Orders Vastly Exceeded Expectations

Since it is being produced by a company that already has a hard time keeping its GR III cameras in stock, it should come as no surprise then that pre-orders for the Pentax 17 have been far greater in number than anticipated and that there may be a significant wait to deliver them all.

Front view of a Nikon Z 7II mirrorless digital camera without a lens. The camera has a black body, a grip on the left, and various buttons and dials. The Nikon logo is visible at the top, and the Z 7II model name is on the bottom right corner.

While the Z6 III Is Here, a Z7 III is Far Less of a Certainty

Earlier this week, Nikon announced the Z6 III to considerable fanfare, and for good reason. It packs so many features into a $2,500 system that it manages to be a camera that is more than a compromise, even at that price. But the Z6 series has always been accompanied by the Z7 series yet this time, that wasn't the case.

A Canon RF 35mm lens is shown prominently centered against a white background with scattered light gray question marks. The lens features a sleek black design with a red ring near the top and the Canon logo, "35" and other lens details visible.

This Canon Aperture Ring Situation Is Very Weird

Last week, Canon clarified that while the aperture control rings on its 24-105mm f/2.8L Z and 35mm f/1.4L VCM don't work in photo mode with its existing cameras, that will change with any camera announced after June 2024. That's really weird.