Panasonic is holding a Japanese photo competition over the next few months with a very specific set of rules: images must be captured only with the Lumix S9 and the 26mm f/8 lens and images have to be shot in JPEG in-camera; no RAW processing is allowed.
Hot on the heels of announcing the full-frame Lumix S9 camera, Panasonic is showing its Micro Four Thirds Lumix G system some love with the new Panasonic Lumix GH7 camera.
Designed to pair with the newly-announced Lumix S9, Panasonic announced the super-compact and lightweight S-series 26mm f/8. Despite fixed focal length and aperture, Panasonic assures it will deliver outstanding image quality and high resolution.
Computational photography techniques are the backbone of what makes smartphone cameras as good as they are and for years, photographers have been wondering when that technology would arrive in standalone cameras.
One of the main advantages of Micro Four Thirds is that the cameras and lenses can be much smaller because the sensor is more compact. It is seen by some as odd, then, that the G9 Mark II is so physically large; or at least as large as Panasonic's full-frame S5II.
This past week, the PetaPixel team came across an opinion on a photography blog that we didn't think was fair. In short, it argued that all "small sensor cameras suck," which is just not true.
It's been a hot minute since I've played with a true superzoom, so I was unusually excited to see how Panasonic's new compact 28-200mm f/4-7.1 -- the L-mount's first all-in-one zoom lens -- performed.
Not even two months after announcing the remarkably compact Lumix S 100mm f/2.8 Macro lens, Panasonic is back with another lens for its full-frame cameras. The Lumix S 28-200mm f/4-7.1 Macro O.I.S. all-in-one zoom lens may not move the needle much for pros, but it fills an essential role in Panasonic's L-mount lens lineup. The new lens marks Panasonic's first wide-to-tele zoom for Lumix S Series cameras.
Quietly announced in Japan back in December, the lightly upgraded Panasonic Lumix G100D is coming to the United States with an estimated arrival of January 31.
Panasonic Japan announced a minor hardware upgrade to the Lumix G100 Micro Four Thirds vlogging camera, adding a USB Type-C port and changing the camera's electronic viewfinder.
Panasonic will release a firmware update for the Lumix G9 II that will allow the camera to send Blackmagic RAW and ProRes RAW over HDMI to a compatible recorder.
Panasonic Japan has started a new service that lets photographers lease out camera kits that is an extension of the company's Tokyo-based rental service.
Panasonic will release a firmware update for the S5 II and S5 IIX on October 24 that adds two new features to the 96-megapixel high-resolution mode, including the ability to shoot at a maximum eight-seconds and the ability to shoot handheld.
This week, Panasonic Japan quietly listed a 2x teleconverter on its website as "new," which resulted in some reports that it had announced a new lens accessory without much fanfare. The teleconverter isn't actually new, but what it can do is.
The original Panasonic G9 was quite a revolutionary camera. Built around a modern and intimidatingly professional-looking body, the G9 featured blazing-fast burst rates, an exceptionally good EVF, and motion-compensated multi-shot mode. However, it has been seven years since the G9 launch -- a long time to wait for a successor.
Sony and Panasonic are teasing new cameras that are slated for official announcement next week. Panasonic's appears to be a "G" series camera, while Sony is expected to announce a new CineAlta called the Burano.
Panasonic has added two more zoom lenses to its full-frame L-mount roadmap: a large aperture standard zoom and an ultra-telephoto zoom.
Panasonic has revealed that it is deepening the compatibility of its Lumix cameras with DJI's LiDAR focusing unit that pairs with the RS 3 Pro gimbal along with expanding its direct integration with features in the RS2, RSC 2, and RS 3.
Arriving in stores only weeks apart and at the same price, the Panasonic S5 IIX and Sony ZV-E1 are full frame, video optimized cameras designed for creators. Obviously, I had no choice but to compare them!
Response to the Lumix S5 II has been positive enough that Panasonic has all but confirmed that it will add phase detection autofocus (PDAF) to its future cameras, including Micro Four Thirds (MFT).
Photographers are clamoring for the S5 II to such a degree that Panasonic says it won't have enough cameras to meet pre-order demand.
The wait is finally, mercifully over. After years of sub-par contrast-based "depth from defocus" autofocus performance in its cameras, Panasonic has finally brought phase detection to its mirrorless cameras in the full-frame S5 II and S5 IIX.
Panasonic has announced a firmware update for the Lumix GH6 that brings both 5.8K at up to 30 frames per second and Cinema 4K at up to 120 frames per second RAW capture over HDMI.
Panasonic has announced the large-aperture ultra-wide Lumix G Leica DG Summilux 9mm f/1.7 ASPH for Micro Four Thirds (MFT). The lens is manufactured under Leica's standards which the company says makes it suitable for both pros and high-end amateurs.
Panasonic's new Lumix GH6 appears to be more popular than the company anticipated as today it announced that it may take some time for everyone who pre-ordered the camera to receive it.
Panasonic has confirmed that it doesn't plan to reserve its development in Micro Four Thirds to just its high-end cameras like the GH5 II and GH6, leaving the door open to successors to its other Lumix cameras.
Looking to get started in photography but feel overwhelmed at the huge number of different camera models on the market? The daunting feeling can be an obstacle as you try to dive headfirst into the art form, but you have come to the right place: we have selected the best cameras for beginners looking to dip their toes in photography without breaking the bank or getting in over their heads.
Panasonic has announced a new "box-style" Lumix mirrorless camera called the DC-BS1H. Similar in form-factor to the Micro Four Thirds BGH1, the BS1H packs a much larger 24-megapixel full-frame sensor.
Panasonic has announced the Leica DG Vario-Summilux 25-50mm f/1.7 ASPH lens for Micro Four Thirds cameras that is able to boast a wide-open f/1.7 aperture through the entire zoom range and is designed to pair with the popular Vario-Summilux 10-25mm f/1.7 ASPH.
Panasonic has announced the Lumix GH5M2, an upgraded version of the camera that was originally launched in 2017. The camera has several notable improvements on both the hardware and software side and features a new system that makes using it as a webcam remarkably simple.