4x5

Cameras That Changed Photography Forever

I write about a lot of things here at PetaPixel -- reviews, guides, technical articles, opinion pieces -- but one of my favorite topics to write about is the history of photography. As an avid user and collector of vintage cameras and lenses, I have passionately absorbed as much knowledge about their history as possible over many years. Like studying world history, there is much value in understanding where we came from and what got to us where we are now.

The LomoGraflok 4×5 Instant Back Review: A New Twist for Large Format

Not many people own a 4x5 camera let along actually use them, which makes Lomography's new LomoGraflok 4x5 Instant Back particularly interesting. It allows those with 4x5 Graflok-equipped large format cameras to shoot with Fujifilm Instax Wide film It's niche, but should appeal to a very small, but passionate, group of photographers.

How I Converted My Afghan Box Camera Into a 4×5 Slide Projector

I have been shooting 4x5 color transparencies or commonly known as color slide film for many years but the best that I could enjoy them was to put them on the light table and viewing them through a loupe. Unlike my 35mm and 120 slides, I have never seen them projected big simply it is not easy to locate a 4×5 slide projector.

Fallen Sequoias: The Story Behind This Photo Taken in 1977

Over the years I’ve often been asked how I went about making a certain image. That question is commonly asked in my workshops not only of me, but also my co-instructors, where open discussion about all images abounds. It’s a great question, because it gives real insight into the mind of the photographer.

Full-Frame Digital vs Large Format Film: A Side-by-Side Comparison

Photographer Usman Dawood of Sonder Creative recently teamed up with film photographer Adam French to put together an intriguing portrait comparison: high-resolution full-frame digital vs 4x5 large format film. They shot both cameras at about the same FF equivalent focal length, and then compared the resulting images side by side for your viewing pleasure.

A Shaded Path: A Large Format Portrait of Kyrgyzstan

My name is Elliott Verdier, and I'm a French photographer who recently returned home from Kyrgyzstan. I spent four months making a portrait of the country with a 4x5 analog large format camera.

The Photographer Who Shoots F1 with a 1913 Graflex 4×5 View Camera

There are many photographers covering the hugely popular world of Formula One racing, but none of them shoot it quite like Joshua Paul of Lollipop Magazine. Instead of using the latest and greatest digital cameras -- or even a modern camera, for that matter -- Paul chooses to use a Graflex 4x5 view camera from 1913.

Negative Feedback: Shooting Large Format for the Very First Time

Many (if not most) of the people reading this have shot 35mm film, and a chunk of those people have shot 120 medium format film, but only a fraction of that fraction has ever touched a large format camera. Here's your chance to see what it's like to shoot 4x5 film for the very first time.

A Selfie Stick for a 4×5″ Camera

When the selfie-stick craze began happening a couple of years ago, photographer and educator Russell Squires decided that he wanted to go beyond using "a lightweight flimsy stick" and a smartphone, so he decided to try shooting selfies with his 4x5" large format camera.

Eerily Beautiful Photos of Utopian Housing Projects in Paris

Between the 1950s and 1980s, large-scale residential districts were built in and around Paris, France, to provide affordable housing for a booming population. Known as "grands ensembles," these sprawling complexes were sometimes poorly planned and constructed, causing some to have many empty units as residents found other places to live. Others, however, remain populated and are bustling with life.

In both cases, there are senior citizens who call the housing projects home. For his project Souvenir d'un Futur, photographer Laurent Kronental documented these strangely beautiful buildings and the seniors who live in them.

How I Built Myself a Large Format 4×5 Monorail View Camera

I’ve been taking photos all of my life. Something that I realize now started from a young age: I’ve been genetically disposed with bad eyes, but it was only discovered around the age of ten. This forced me to look closely at what was in front of me for a long time. Once I got tested and got glasses an entire world opened up. As a result, I’ve always looked at things and people with an appreciation I doubt I could’ve had any other way.

It’s a hunger to try and capture what I see in the moment as it presents itself, be it a theme or a feeling, a relationship or a time. There’s always a story to tell and that’s why we take photos.