Since Nikon announced the Nikkor Z 35mm f/1.4 lens last week, I have been asking myself -- and Nikon -- a lot of questions about it. What about the 35mm S-Line lens on the roadmap? Is this new lens a sign of affordable f/1.4 lenses to come? What's Nikon's overall strategy?
Cosina announced that a new Voigtlander Nokton 75mm f/1.5 Aspherical -- of which versions are already available for Nikon Z, Canon RF, and Leica VM-mount -- will be released for Sony E-mount in July.
Hasselblad has introduced a new 25mm prime lens to add to its already crowded wide-angle assortment. I've reviewed the 30mm f/3.5, and Hasselblad also has 28mm f/4 and 21mm f/4 lenses. However, this new wide prime splits the difference and has an even brighter f/2.5 aperture.
Cosina announced that it plans to release its Voigtlander Nokton 75mm f/1.5 Aspherical lens for Nikon Z-mount, and it will arrive on May 15.
7Artisans has announced a 27mm f/2.8 STM autofocus lens for APS-C Sony E-mount cameras, like the a6400, a6700, and vlog-centric ZV-E10. 7Artisans only just recently began making autofocus-equipped lenses.
After some teasers on Chinese social media late last year, TTArtisan has released the AF 56mm f/1.8 prime lens for APS-C mirrorless cameras.
Leica will sell an extremely limited run of its 35mm f/1.4 Summilux-M in a black anodized finish, a new re-release of the lens that first hit the market in 1961.
In the early summer of 2023, I had an opportunity to play with the soon-to-be-released Nikon Z8. We met up with the Nikon crew in Yellowstone National Park to photograph some wildlife and the good folks at Nikon also had another surprise for us out there.
Film isn’t dead yet. That’s the obvious message behind Leica digging up its roots and reimagining its storied M6 rangefinder film camera from 1984 and releasing a brand new variant in 2022.
Leica is going all in on the revival of classics. In addition to restarting production of its M6 film rangefinder, the company is also bringing back the Summilux-M 35mm f/1.4 originally released in 1961.
Meike has introduced a new 10mm f/2 APS-C manual focus prime lens for Sony E, Fujifilm X, Nikon Z, Canon RF, and Micro Four Thirds cameras.
Nikon has announced the compact Nikkor Z 400mm f/4.5 VR S super-telephoto prime lens for its mirrorless Z-mount cameras and it says that this new optic is the lightest in its class.
Dzofilm has announced three T2.1 Vespid Cyber cinema prime lenses that are designed to connect directly with the new DJI RS 3 Pro LiDAR autofocus system. The 35mm, 50mm, and 75mm lenses have a unique data interface function to output focusing and aperture data to the gimbal.
If you have been searching for an ultra-wide lens for the Pentax system recently, you likely will come across the $1,400 Pentax-D FA 21mm f/2.4 lens announced late last year. Whether or not you should buy it depends on how much you like Pentax.
Cosina has launched the Voigtlander APO-Skopar 90mm f/2.8 for Nikon's F-mount. Cosina says that the lens has been designed to bring the appearance of chromatic aberration to as close to zero as possible.
Nikon has announced the $300 Nikkor Z 40mm f/2 Ultra-Compact prime lens. The company claims the new optic will provide extraordinary bokeh and fantastic image quality for both video and still photos, all in a very tiny package.
One of my favorite ways to create more interesting photos is to get closer to the subject and fill the frame, eliminating or reducing background distractions.
OM Digital has released a new lens roadmap as well as announced the development of two new lenses for Micro Four Thirds (M43), the M.Zuiko Digital ED 20mm f/1.4 Pro and M.Zuiko Digital ED 40-150mm f/4.0 Pro.
Venus Optics has announced a new Laowa 14mm f/4 Zero-D (zero distortion) wide-angle manual focus prime lens for Nikon and Canon DSLRs. The company says that it uses a completely different optical design from the mirrorless version of the lens.
Russian camera manufacturer Zenit has announced the release of four new manual full-frame prime lenses that they first revealed last year: the Zenitar 35mm f/2, 50mm f/1.5, 58mm f/1.9, and 60mm f/2.8 Macro.
After my testing of the new Sony compact primes, I was able to spend some time with the competing set of primes from Sigma that were arguably the reason Sony created its lenses in the first place. Both sets are fun, compact, and extremely portable optics... but which should you buy?
In response to Sigma's push into compact mirrorless prime lenses, Sony has launched a new trio of compact prime G-lenses. The 24mm f/2.8 G, 40mm f/2.5 G, and 50mm f/2.5 G together are smaller and lighter than an average 24-70mm f/2.8.
Nikon has just announced two of the most anticipated lenses for its full-frame mirrorless Z-series: the NIKKOR Z 50mm f/1.2 S and the NIKKOR Z 14-24mm f/2.8 S. The former is the fastest AF lens Nikon has ever produced, while the latter is "the world’s shortest and lightest full-frame f/2.8 zoom lens with a 14mm field of view."
Street photographers are not known for their reserve. We are happy to give advice on gear, framing and technique. But I believe the best photographers are those who also seek advice and look to learn from others. That said, not all advice is equal, and some ideas are outdated, narrow minded, or just plan wrong.
Sony has just released the brand new FE 20mm f/1.8 G: a lightweight, high-performance, ultra-wide prime lens for full-frame Sony mirrorless cameras that the company has dubbed "the widest full-frame prime lens in E-mount lineup."
Our friend Roger Cicala over at LensRentals recently decided to take on a few optical "platitudes" that he's always hearing, and see if the data can back them up. So, are "all lenses the same at f/8"? And is it true that you "don’t need primes because I shoot everything stopped down"? Let's find out.
Samyang/Rokinon has announced a new ultra-compact, ultra-wide-angle prime for Sony full-frame mirrorless cameras. At just 145g light, 2-inches long, and $500, the new Samyang AF 18mm f/2.8 lens is "the most compact, lightweight, and affordable super-wide angle full frame lens for Sony E mount."
I’ll begin by saying that I don’t only shoot with zoom lenses. I should also add that what I’m about to say is perhaps most relevant to other wedding photographers, particularly those shooting in a documentary style like myself.
Meyer Optik Gorlitz is working its way back from the dead. After the company's very public failure—including the embarrassing admission that the $3,000 "Nocturnus" was just a modified $850 Chinese lens—the brand and its new owner, OPC Optics, is preparing to re-release "optimized" and "redesigned" versions of several lenses this year.
In the world of photography, you’ll find people generally prefer primes or zooms. The main benefit to zoom lenses is that you can cover multiple focal lengths in one decent sized package. In saying this, there are some prime lenses that can work well for multiple purposes. Two of these are the 35mm and 85mm primes.