A tripod head is one of the most important pieces of equipment a photographer can own. Most photographers start with cheap, shoddily built tripods with integrated heads, sometimes bought as part of a kit. While they don’t know it, these tripods aren’t worth their weight in plastic, which is a fancy way of saying they’re worthless.
The team from Syrp Lab decided to find out what the difference would be between a photo lens and a cinema lens -- and which looks more "cinematic" and why.
Green screens, while incredibly commonplace in big-budget productions and Hollywood blockbusters, often get a very bad reputation in the hands of independent filmmakers.
Capturing a video portrait is delicate work. The scene needs to be shot smoothly, feature unique and interesting locations, have clean audio, and display the subject's personality. When done properly though, it is possible to produce great video portraits with just natural light.
Like many photo and video creatives, the team at Syrp Lab has a lot equipment that takes up an obscene amount of space. In this seven-minute video, the team shows how it turned a dark and cluttered room into something organized, functional, and fashionable.
Syrp, the Auckland, New Zealand timelapse and camera accessory company, has announced that it is restructuring and rebranding itself as Syrp Lab. As part of the process, existing Syrp products will be renamed and folded into the Manfrotto Move system.
Syrp, most well-known for its innovative timelapse and motion control devices, has launched the Genie Micro, an all-in-one smart remote for mirrorless and DSLR cameras.
Syrp has announced the new Genie Mini II, a pocket-sized motion controller that builds upon the popular Genie Mini that was launched a few years ago by adding features from the larger Genie II.
Gear company Syrp is best known for their timelapse motion controllers—like the Genie and Slingshot—but the company's latest release won't move your camera. In fact, we suggest you keep your camera very still when using it.
Time-lapse in motion can be a bit of a nightmare. Not only do you need to have your intervalometer set properly to control when and how your camera takes pictures, you also have to have the camera on a dedicated track, hopefully moving at a consistent speed, and preferably without you being the one moving it.
In the past, people could either choose to go the manual route or buy very expensive equipment. Fortunately, makers of the Genie -- Ben Ryan and Chris Thomson -- decided to make the process easier and, if not cheap, at least cheaper.