gas

Late last month, a bright and glowing orb streaked across the Alaskan sky, interrupting a view of the northern lights. The spinning blue circle was captured by aurora cameras and scientists think they've isolated what the mystery object was.

Photography is a tech-heavy job. Camera companies do a great job of hyping up new gear and creating a fear of missing out. However, very few professionals that I know actually go and splurge on the latest and greatest equipment.

I can’t think of any other profession outside of photography where the pros obsess about their tools quite as much as we do. I’ll pause for a moment so you can write your own joke.

I recently came across an interesting comment made by a participant in a photography forum: "You should only upgrade your camera only if it’s limiting you, not just because you have the money to."

The third of this month marked two years since I took my first foray into the Sony Alpha Ecosystem. I thought it would be a good idea to look back to see how I’m liking the system and if my views have changed since my 12 month a7 III review.

Despite many (many) articles and advice videos and IG posts on the subject, many beginners still believe that the best thing they can do for their landscape photography is buy a better camera or lens. So here's another reminder from photographer Mark Denney about why this is not the case.

Filmmaker and YouTuber Dave Maze is ending the year on a humorous note. His music video "Gear Guy" is a spot on parody of Billie Eilish' song "Bad Guy," but for photographers and videographers who are all about owning (if not actually using) the best gear.

Photography can be an expensive pursuit, and the cost of things (and the pressure to buy them all, buy them new, and buy them now) can get in the way of putting that money in better places.

I had everything I could ever need, all the dream gear. Broncolor lighting, the latest professional Canon cameras and all the faster canon lenses. I had the latest Apple laptop, tethering equipment, software, c-stands, tripods, light modifiers, Polaroid cameras, all the gear I could have ever dreamed of.

Canadian photographer Taylor Jackson just dropped this new music video for a song titled "Gear Lust." It's about the never-ending desire some photographers have for getting more and more camera gear -- something popularly referred to as Gear Acquisition Syndrome (G.A.S.).

I have major gear envy syndrome. Every new release seems to bring with it a feature that makes me jealous enough to attempt to justify a ridiculously expensive purchase. But even for those of you happily using your 5-year-old DSLR (I secretly envy you), there is always the question of when to upgrade your camera gear.

I have been a very happy Sony customer for the last 2+ years. My a7R continues to serve me well, but I am inching closer to an upgrade. I know the a7R II is an awesome camera. I've read the reviews. There are photographers I follow and respect who rave about it. I've held it in my hands and it feels good. And there's even the recently rumored a7R III.

Need a little comic relief? Check out this medical ad spoof for Noventus, a pill that will cure you of the dreaded Gear Acquisition Syndrome (GAS)... as long as you don't mind a little bit of rectal bleeding and an "atrophied sense of self."

I finally found the perfect camera. This camera does everything you could ever need or dream of—from capturing the perfect frame and exposure to developing your skill and photographic eye.

Some call it gear obsession, you've probably heard it called Gear Acquisition Syndrome (or GAS), but regardless of the name, there's no better time to discuss the dangers (and potential benefits) of suffering from camera gear obsession then the week after Photokina.

“There are plenty of fish in the sea, so don’t settle for a shark” ― Kalvin Valentine

I finally figured it out. You’re all dating your cameras, not married to them.