camerawork

This past week, a behind-the-scenes video showing Keanu Reeves as John Wick filming an intense motorbike fight scene has gone viral on X (formerly Twitter).

This trippy music video for Bonobo's new track "No Reason" is full of what would appear to be clever CGI, but it's actually all shot in-camera using "a very small camera and a very big set."

OK Go is known for its creative music videos that often feature single takes and innovative camera techniques, and the band's latest video continues that trend in an impressive way.

Released today, the "I Won't Let You Down" music video has already amassed hundreds of thousands of views on YouTube. Give it a watch above and you'll quickly see why.

Firework photographs are generally pretty uniform in their appearance: a dark sky, glowing sparks that are either points or lines depending on exposure time, and perhaps some views of the surrounding area. When photographing a major fireworks show last week, photographer Rob Shaw of BackFromLeave Photo wanted to do something different. He played around with various camera techniques and captured a set of firework images that is quite different than most of the images you'll see online.

Over the last couple of weeks we've featured two very impressive cinematography shots, one from the movie "Contact" and another from "Sucker Punch." But while both of those required planning, expertise and, for one of them, some help from the digital age, the final steadicam shot from the movie "Hugo" is impressive in an entirely different way.

If you liked the the “impossible shot” from the film Contact that we shared earlier this week, …

This has to do with filmmaking rather than photography, but check out this jaw-dropping shot from the 1997 movie …

Between 1903 and 1917, photographer Alfred Stieglitz published a quarterly photographic journal called …