I've wanted to experiment with the idea of imbuing a print with more than just standard chemistry, and I especially like the idea of adding layers of experience to what is ordinarily solely a visual medium.
What is perfect? I don’t think there is a camera in existence that is perfect for everyone. But there are certainly cameras that, over the years, have demonstrated outstanding industrial and user interface design.
A photographer in the UK has managed to get up close and personal with puffins by wearing a humorous puffin disguise to put the birds at ease.
Photographer Jason De Freitas has combined his passions for flight and film by mounting a 1960s Super 8 motion picture camera onto a modern first-person view (FPV) drone, and the resulting footage (seen in the 3-minute video above) is magical.
There are a lot of crazy ideas out there when it comes to experimental photography. Multiple exposures. Film Soups. Shooting your rolls backward. But have you ever heard of anybody loading two rolls of film into a camera at the same time? Me neither, and that’s exactly why I’m going to do it!
Sometimes we’re brimming with ideas and ready to shoot. But, what can you do when the ideas dry up?
Photographer Nina Wolfe shoots gorgeous photos using forced perspective to show the Moon illusion, the optical illusion that causes the Moon to look much larger when it's closer to the horizon than when it's higher in the sky.
While photography and linguistic language share characteristics, when it comes to actually applying theories and practices between one and the other, it can be hard to remain coherent. This is down to the flaw in thinking that just because a comparison can be made aspects can be transposed between them.
As a product photographer, I use paper in various different ways as a background for still-life photos to keep costs down for creative shooting. In this article, I'll show you how I do it and how you can do it too.
Landscape photography at 70 mph. Is it even possible? For years the idea of landscape photography was to put your camera on a tripod, frame very carefully, then wait for the light to be perfect before you shot. But what if you had to do everything in exactly the opposite way?
A promotional campaign has used a photographer's gigapixel images to hide an X containing a code that could win you a cruise.
Catching the International Space Station crossing the face of the Moon is quite challenging these days even with advanced cameras and relatively affordable telescopes, but one photographer decided to take things to the next level by catching an ISS lunar transit on 35mm film.
Since the advancements made with mirrorless camera systems and their digital viewfinders, cameras with optical viewfinders have become somewhat rare, with hybrid viewfinders being even harder to find. This is why Getschmann decided to dive into his physics and engineering background to build one from scratch for his smartphone camera.
Two photographers perfectly recreated Annie Leibovitz’s record-breaking picture of Cristiano Ronaldo and Lionel Messi.
A photographer built his own wildlife pond with an adjacent photo hide so he could capture beautiful photos of flora and fauna.
We live in a world where everyone has access to a camera in some form or another, and the content we create is often viewed through a phone screen. So it's no surprise that so many people have learned how to take and edit cool photos that will get them likes on Instagram.
Having been a wedding photographer for the past fifteen years, I’ve seen my fair share of white wedding dresses, but before focusing on weddings, I was fortunate enough to gain a little experience in the fashion industry, shooting for magazines, working backstage at fashion shows, and covering both London and Paris Fashion Weeks.
A photographer was hired by a client to pretend to be paparazzi for her 21st birthday party.
Halloween may have come and gone but the photography world may want to take note of this incredible costume spotted in Japan.
A wedding photographer has shared how her clients are increasingly requesting blurry photos of their big day.
As creatives, more specifically as a photographer and filmmaker, we tend to get gigs all over the city. From big production to small, low-budget clients, our commute can be taxing, especially with increased gas prices.
Lately, I’ve been thinking about the ebbs and flows of inspiration, particularly with the ups and downs of the last few years. Since I work with a variety of photographers, I get to observe their patterns of motivation, and it’s been fascinating to think about.
As a photographer, I have been making photographs with my own cameras my entire life. From my first Kodak Instamatic camera as a child, to the Sigma film SLR that I received as a gift in high school, to my first digital camera (a Sony Mavica in 1999 or so) to my current DSLR (a Canon 5D Mark IV) — for me photography has been both a lifelong pursuit and a passion as both a photographer and an artist.
The resurgence of interest in film photography is astonishing. Newcomers revel in the challenge of having only a limited number of photos per roll. They enjoy the suspense of waiting a lengthy period for the film to be processed before they see whether their photos have turned out.
For photographers, creativity is the difference between a nice photo and a NICE photo. But what happens if you’re not feeling very creative? That’s when I like to dive into what I call my “photographer’s creative kit,” a bunch of different things to try.
My love of astronomy started way back as a child when my dad bought a Celestron C8 telescope. I remember spending hours with him searching to find a single dark sky object. This love of the night sky stuck with me and it wasn't until 2012 I made a New Year's resolution to go out for one night each month near the new moon to do astronomy, astrophotography, and time-lapse of the night sky.
In 2020, wedding photographer Allie Siarto's business saw a steep decline as COVID spread, weddings were downsized or canceled, and demand for her services dried up. In the midst of the downturn and pandemic, she decided to expand into an unexpected new niche: divorce photography.
A leading textbook on creative photography, released in 1980, devotes more than 90% of its 460 pages to technical considerations — how cameras and lenses work, darkroom procedures, lighting — and just a few pages to aesthetics and composition.
For a long time now, I've been looking a little enviously in the direction of Leica because of the monochrome versions of the M and Q models.
For the last 50 years, we’ve all had to live with the Hasselblad Super Wide C's flaws, its shortcomings, its chunky "industrial chic" looks and function. Like most everyone else, I’ve had the same thoughts and visceral reaction when it came to this particular camera.
