Just last month, Xencelabs announced a new "industry first" $1,249 4K OLED Pen Display targeted at professional digital creatives requiring quality and portability. The tablet has compelling features and big ambitions. Can it live up to these lofty goals?

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When the Fujifilm X100 first hit the market it took the world by storm. A pocket-sized camera with stellar good looks and a retro-inspired control scheme, it was instantly coveted by photographers aplenty. We wanted to take a retrospective look at the X100 series from the beginning and give you the low-down on the upgrades and quirks over the years.

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A couple of weeks ago, Leica announced the Leica LUX camera app, the legendary German company’s first smartphone app for taking photos. While the company has produced its FOTOS app for many years, this is its first dedicated to smartphone photography.

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The Google Pixel 8a offers compelling, worthwhile photography features at an accessible price point. It’s hardly a perfect smartphone, but it gets a lot of things right the moment you pull it out of your pocket and start snapping away.

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As a creative who often has to travel for my clients, the amount of gear and accessories needed to get a job done can often lead to a lot of headaches when trying to get everything connected to my laptop, especially if I'm shooting large campaigns where I need to ingest a ton of data.

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The iPad is quickly becoming a more viable tool for creators to use as their main workflow solution. The recent introduction of Final Cut Pro for iPad has been a big part of the improvement to making the iPad more useful for my own work. Now, Apple released a new version, along with Final Cut Camera for iPhone, which brings some thoughtful enhancements to the table.

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I’ve been in the camera review business for over 15 years and in that time I’ve been fortunate enough to have tested and taken photographs with countless cameras, spanning a wide variety of designs and intentions. Curiously, as I prepared to review the Pentax 17 it occurred to me that I had never once reviewed a new production 35mm film camera in all that time.

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Nikon's Z6 III brings a lot of technologies to the table and packages them into a camera that seems purpose-built to win the $2,500, mid-range, full-frame camera fight. It may be priced to compete with the middle of the camera pack, but it's swinging punches like a flagship.

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Recently, I've pushed myself to look at third-party lens brands from China, which offer interesting character at a relatively low price. I wanted to try out the lenses that cost more money but might provide a more compelling user experience and the Voigtlander manual focus primes could be the answer.

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The Panasonic GH series has always been some of the best hybrid cameras ever made, and the new Lumix GH7 brings the best features of the GH6 and last year's G9 II together in a single body. It's basically a perfect camera for me as the sensor size is the only thing I consider a compromise.

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Maingear has been a big name in custom PCs for over 20 years and has earned a sterling reputation for its high-end PCs, especially for gaming, and strong customer support. While its flagship MG-1 line, ranging from just over $1,100 to the $4,000 machine I tested, has plenty of features for hardcore gamers to drool over, the MG-1 can also be an outstanding option for creatives.

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Sigma introduced the world's first full-frame, mirrorless, f/1.8 lens: the 28-45mm f/1.8 Art. But if no one has ever made a lens like this before, do we even need it? Let's look at the facts with this rather odd entry and see if it's a hidden gem or a mad science experiment.

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Viltrox has been busying itself with full-frame Z-mount releases over the last year, building upon the core of its business which has been centered around APS-C. In fact, the last Fuji X-mount release was the "Pro" monikered 27mm f/1.2 that I reviewed in August 2023. The new 56mm f/1.7 sits at the opposite end of the spectrum, retailing at an extremely modest $139. It may be budget in price, but its performance is far from it.

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"Medium Format cameras can’t shoot sports, action, and wildlife," they said. Well, maybe now they can.

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One of my favorite cameras of all time was the Panasonic GM5. With its interchangeable lenses and ultra-compact design, I could truly take it anywhere and still have full manual control. Compromises had to be made given such a small design, and the Micro Four Thirds format did limit potential image quality, but I had an EVF and a creative camera that was perfect for travel.

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The Fujifilm XF 18-55mm f/2.8-4 R LM OIS was truly a legendary kit lens. It broke the stereotype of bare-bones kit lenses that came packaged with slow apertures and pedestrian optics. I say was because it now must make way for a new lens to take center stage. The new Fujifilm XF 16-50mm f/2.8-4.8 has very big shoes to fill indeed.

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The Hobolite Iris, the company's latest addition to its lineup of LED lighting equipment, is small enough to slide into a pocket yet versatile enough to deploy in a variety of ways. The main reason why is because it integrates into the broader Hobolite ecosystem, with particular compatibility with the existing Hobolite Micro light.

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PetaPixel editor-in-chief Jaron Schneider got his hands on the new M4-powered iPad Pro already, and is actively putting it through its paces for a comprehensive review. My iPad Pro arrived last night, and I opted for Apple's "Nano-texture" glass option. So far, it is much better than I expected.

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Sigma updated its 24-70mm f/2.8 DG DN Art with a new body design, a new autofocus motor, and a reworked optical formula to make it lighter, smaller, faster, and sharper. That's the promise, anyway, but is it true?

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Fujifilm is consistently updating its line of mirrorless cameras to make use of the latest film simulation modes and sensor technology. It is no surprise, then, that it has released a 40-megapixel version of its insanely popular X-T double-digit line to bring high resolution to an affordable platform: the X-T50.

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